Wagner Moura and Kleber Mendona Filho
This is a Brazil news story, published by Condé Nast, that relates primarily to Moura news.
Brazil news
For more Brazil news, you can click here:
more Brazil newsmovies news
For more movies news, you can click here:
more movies newsCondé Nast news
For more news from Condé Nast, you can click here:
more news from Condé NastAbout the Otherweb
Otherweb, Inc is a public benefit corporation, dedicated to improving the quality of news people consume. We are non-partisan, junk-free, and ad-free. We use artificial intelligence (AI) to remove junk from your news feed, and allow you to select the best entertainment news, business news, world news, and much more. If you like movies news, you might also like this article about
Brazilian film. We are dedicated to bringing you the highest-quality news, junk-free and ad-free, about your favorite topics. Please come every day to read the latest Brazilian cinema news, Brazilian film industry news, movies news, and other high-quality news about any topic that interests you. We are working hard to create the best news aggregator on the web, and to put you in control of your news feed - whether you choose to read the latest news through our website, our news app, or our daily newsletter - all free!
Wagner MouraCondé Nast
•Entertainment
Entertainment
Wagner Moura Makes a Deeply Personal Return to Brazilian Cinema in ‘The Secret Agent’
67% Informative
The Secret Agent is set in the 70s , in the midst of the previous military dictatorship in Brazil .
The story follows Moura ’s Marcelo , an academic hiding out in Recife circa 1977 .
This is Moura 's first starring role in a Brazilian feature film in more than a decade .
This is a film in many ways about memory and people who are forgotten.
The film is a lot about values and the kinds of values that come with a mindset like that.
The history of Brazil , like any history, is told by the point of view of the so-called winners.
I want more films in Brazil made by Indigenous communities.
I’m Still Here reconnected the Brazilian audience with our cinema, as a film for adults and a film about a very specific time in our history, which a scar that’s not yet healed.
The last scene of the film was my last day of shooting, and he hugged me and I felt he was crying—he was shaking.